Donald H. Keats

Fellow: Awarded 1964

Field of Study: Music Composition

Fellow: Awarded 1972

Field of Study: Music Composition

Competition: US & Canada

Born: 05-27-1929

Died: 04-27-2018

Website: http://www.legacy.com/obituaries/denverpost/obituary.aspx?n=donald-keats&pid=188862828&fhid=4529

Donald Keats was born in New York in 1929. At about the age of eight he began his musical studies (piano, theory) at the preparatory division of the Manhattan School of Music, and then was a student at the High School of Music and Art. Upon graduation, he went to the Yale School of Music, majoring in composition. At the age of nineteen he became a Teaching Fellow at Yale, and received his Mus. B. from Yale in 1949. While there, he won the Frances E. Osborne Kellogg Prize (theory) and the John Day Jackson Prize (composition). Among his teachers at Yale were Quincy Porter and Paul Hindemith.

He then entered the Masters program in composition at Columbia University; the composer who taught the Masters Seminar was Otto Luening. Keats wrote his Masters composition primarily under the guidance of Henry Cowell; it won Honorable Mention in the Bearns Prize competition. Other composers he worked with at Columbia were Douglas Moore, Jack Beeson, and Jacob Avsholomov. He received his M.A. in 1951.

He then voluntarily gave up his student deferment and was drafted into the Army during the Korean War. He found himself (weighing 122 pounds) taking Infantry Basic Training (speciality: heavy weapons), and a few months later got his orders to go to Korea. However these orders were deleted a day before his scheduled departure; instead he became the only man then in the Army to be an Instructor of Music Theory at the U.S. Naval School of Music in Washington, D.C.

At the end of his Army tour of duty (1954) he was awarded a Fulbright grant and went off to Germany, where he studied at the Staatliche Hochschule für Musik in Hamburg; he was the only student of the Director of the school, the esteemed composer Philipp Jarnach. In the spring, his Fulbright grant was renewed for a second year. Among his works composed while in Germany are his Theme and Variations for Piano and his Symphony No. 1. His setting of T.S. Eliot’s “The Hollow Men," for chorus, clarinet, three trombones, and piano was performed in Hamburg, and his First String Quartet was performed in a Munich broadcast over the Bavarian Radio Network.

Soon after his return to America, Keats was appointed Assistant Professor at Antioch College (Yellow Springs, Ohio). He stayed there for eighteen years, rising to full professor. Two of those years (1964-65 and 1972-73) were spent in Europe as a Guggenheim Fellow, one year was spent as a Visiting Professor at the University of Washington (Seattle), and another year was spent as Visiting Professor at the University of Denver . He also got his Ph.D. (in composition, studying with Paul Fetler and Dominick Argento) at the University of Minnesota, with the help of grants (via Antioch College) from the Danforth and Lilly foundations, and also with help from the V.A. (“G.I. Bill”). Other awards have come from the National Endowment for the Arts, from ASCAP, and from the Rockefeller and Ford foundations.

In 1975 he received a one-year appointment as Visiting Professor at the Lamont School of Music of the University of Denver, which lasted twenty-four years, until his retirement in 1999. At DU, he held, for a while, an endowed Chair, the Lawrence C. Phipps Chair in the Humanities. He also was named the 1991 Distinguished Faculty Artist by the Lamont School of Music of the University of Denver. For fifteen years he taught, summers, a Contemporary Music Seminar at Aspen , in conjunction with the Aspen School of Music and Festival. For one summer he was also a Visiting Composer at the Aspen Music Festival; he was also Composer-in-Residence at the Colorado Music Festival (Boulder) and at Arcosanti (Paolo Soleri’s futuristic city-in-progress in Arizona).

Keats’ compositional output includes four symphonic works, three string quartets, two solo piano pieces (a piano sonata and a theme and variations), a piano concerto, a ballet (performed in New York under the auspices of Joseph Papp), various chamber music pieces, two song cycles, and other songs and choral music. His Elegiac Symphony won three competitions, resulting in performances by the Seattle Symphony, the Kansas City Philharmonic and the Detroit Symphony Orchestra; it has also been played by the Denver Symphony Orchestra. The “Elegy” movement from this symphony has had a number of performances, including by the Cincinnati Symphony Orchestra, the Oklahoma City Symphony, the Dayton Philharmonic Orchestra and many university orchestras. His First Symphony has been performed by the Columbus Symphony Orchestra, the Kansas City Philharmonic, and the Denver Symphony Orchestra.

His most performed piece is his Piano Sonata; five pianists have made their New York debuts with programs which included Keats’ Sonata, including a performance by Dickran Atamian in his Naumburg-winning recital at Lincoln Center. Pianist John Perry kept the Sonata in his active repertoire from 1965 through 2006, and recorded the piece (CD) in 1999. Mark Westcott kept it in his repertoire from 1966 through 1986, playing it three times in New York. Keats himself played it in London, Tel Aviv, and Jerusalem, as part of all-Keats programs sponsored by the U.S.I.S. Ann Schein was the soloist in a performance of his Piano Concerto.

His String Quartet No. 1 has been performed by the Lenz Quartet (Munich), the Quatuor Robert Bex (Paris), the Alard Quartet, the Antioch Quartet, the Da Vinci Quartet, and many other quartets. His String Quartet No. 2 has been performed by the Beaux Arts String Quartet on its 1969-70 concert tour, including a broadcast over the Australian Broadcasting Commission. They also recorded the piece (first an LP on CRI label, then a CD on Opus One label). This piece has also been performed by the New Israel String Quartet (as part of an all-Keats program in Tel Aviv and Jerusalem); the Vieuxtemps String Quartet (two New York City performances, including one at Lincoln Center); the Antioch String Quartet (seven performances, including one at New York City's Town Hall); the Moscow String Quartet; and the Da Vinci String Quartet.

His Tierras del Alma, Poemas de Amor (for soprano, flute, and guitar) has had a number of performances, including one at a League of Composers/ISCM concert in New York (Weill Concert Hall at Carnegie Hall). His song cycle, A Love Triptych (to poetry of W.B. Yeats), has been performed in London (Wigmore Hall, and at the U.S. Embassy) by soprano Margaret Bankier, by Lois Yavnielli at the U.S. Embassy in Tel Aviv, by Phyllis Bryn-Julson, Neva Pilgrim, and a number of other sopranos. (Keats was the pianist for the Margaret Bankier performance at the U.S, Embassy in London, the Neva Pilgrim performance, and the Yavnielli performance in Tel Aviv.)

The Elegiac Symphony, String Quartets No. 1 and No. 2, the Piano Sonata, Keats’ setting of T.S. Eliot’s “The Hollow Men” and “anyone lived in a pretty how town” (e.e.cummings) are all published by Boosey & Hawkes; the First Symphony is published by E.C. Schirmer.

Since his retirement from the University of Denver, Keats lives in a lovely very contemporary home in a rural area near Denver, with red rocks to be seen in one direction, and the foothills of the Rockies in the other, with occasional deer moseying by.

 


 

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