Claire Bishop is an art critic and Presidential Professor in the PhD Program in Art History at the Graduate Center, City University of New York. Her books include Artificial Hells: Participatory Art and the Politics of Spectatorship (Verso, 2012), Radical Museology, or, What’s Contemporary in Museums of Contemporary Art? (Walther König, 2013) and a book of conversations with the Cuban artist Tania Bruguera (Cisneros, 2020). She has two books forthcoming in 2024: Disordered Attention: How We Look at Art and Performance Today (Verso) and Merce Cunningham’s Events: Key Concepts (Koenig Books). She is a Contributing Editor of Artforum, and her essays and books have been translated into twenty languages.
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